Greetings all! I am excited to have a "video" for my brand-new Halloween song to offer my faithful readers today:
Kid Quote of the Day: "What are you going to dress up as for Halloween?" I asked. "Vampire Hannah Montana!" ~Sidney (age: 5)
(the idea of an undead Hannah Montana is one of the scariest things I can think of)
Friday, October 29, 2010
Sunday, October 24, 2010
Trout Fishing in Miami
I was very excited to read several months back that Trout Fishing in America would be the Halloween performance for UM's Festival Miami 2010. Each year Festival Miami hosts a family act (along with the organization Sunday Musicals for Children). Having reviewed their album Big Round World, and their picture book I Am Chicken Joe, I was very excited to see this duo in person.
I worked my UM alumnus status to sneak in a brief interview with Keith and Ezra after the show. For those who have never heard or seen Trout Fishing in America, they are a study in polar opposites. Keith stands 5'5" tall and has a high, sharp voice. Ezra is a staggering 6'9" and has a deep, low voice. As Keith said, "I was the good kid in school," fixing his collar and lifting his chin, "I was the one who always got straight A's. Ezra," he whispered, covering his mouth with his hand, "he was the bad kid in school!" Their stage act plays on this opposition, and my favorite part of their show was the witty banter.
I asked Keith about how Trout Fishing first got it's start with kids' music. "A teacher," he said. "Were you and Ezra teachers?" I asked. "No, I knew a teacher who wanted to show her students that music comes from people. So, I brought my string bass, Ezra brought his acoustic guitar. We didn't know a single kids' song, so we did a lot of Beatles. We did the blues, some folk, but we didn't know what we were doing." In the decades since this modest beginning the two have developed a fabulous collection of CD's and a great, age appropriate stage show.
I was also curious about their song writing, being that the are a duo where both sing and write. "It's a total partnership. Ezra is more of the music guy. I start with lyrics." "Do you write the lyrics without a melody?" I asked. "Most of the time, If I do have a melody in mind I won't tell him [Ezra] because he'll come up with something better." I also asked them about writing specifically for kids. "You can't play down to them," Keith asserts. "They're really smart. Kids these days are really smart. If you're not being honest. If you lie to them, they know it" (he snaps his fingers). "That's why the educational side of our music isn't overt. It's just around the corner. Like when we were singing in roman numerals [during the song 18 Wheels on a Big Rig]. You can't stand up there and say, 'Listen kids now we're going to count in roman numerals.' You've gotta use humor."
Finally I asked them about working and playing as a duet. "I can't imagine playing as a solo act," Ezra said. "If I'm ever having a tough gig, I can always look over at Keith and it's all good." Keith agreed, "Just to have someone smiling back at you helps keep you going." All in all it was a fabulous show, a wonderful chance to chat with some veteran kids' musicians and hopefully the start of a good friendship with two of the nicest and most talented performers in the industry.
Kids' Musician Quote of the Day:
Funny side note: notice that Keith is on the stage, and Ezra is standing on the ground.
I worked my UM alumnus status to sneak in a brief interview with Keith and Ezra after the show. For those who have never heard or seen Trout Fishing in America, they are a study in polar opposites. Keith stands 5'5" tall and has a high, sharp voice. Ezra is a staggering 6'9" and has a deep, low voice. As Keith said, "I was the good kid in school," fixing his collar and lifting his chin, "I was the one who always got straight A's. Ezra," he whispered, covering his mouth with his hand, "he was the bad kid in school!" Their stage act plays on this opposition, and my favorite part of their show was the witty banter.
I asked Keith about how Trout Fishing first got it's start with kids' music. "A teacher," he said. "Were you and Ezra teachers?" I asked. "No, I knew a teacher who wanted to show her students that music comes from people. So, I brought my string bass, Ezra brought his acoustic guitar. We didn't know a single kids' song, so we did a lot of Beatles. We did the blues, some folk, but we didn't know what we were doing." In the decades since this modest beginning the two have developed a fabulous collection of CD's and a great, age appropriate stage show.
I was also curious about their song writing, being that the are a duo where both sing and write. "It's a total partnership. Ezra is more of the music guy. I start with lyrics." "Do you write the lyrics without a melody?" I asked. "Most of the time, If I do have a melody in mind I won't tell him [Ezra] because he'll come up with something better." I also asked them about writing specifically for kids. "You can't play down to them," Keith asserts. "They're really smart. Kids these days are really smart. If you're not being honest. If you lie to them, they know it" (he snaps his fingers). "That's why the educational side of our music isn't overt. It's just around the corner. Like when we were singing in roman numerals [during the song 18 Wheels on a Big Rig]. You can't stand up there and say, 'Listen kids now we're going to count in roman numerals.' You've gotta use humor."
Finally I asked them about working and playing as a duet. "I can't imagine playing as a solo act," Ezra said. "If I'm ever having a tough gig, I can always look over at Keith and it's all good." Keith agreed, "Just to have someone smiling back at you helps keep you going." All in all it was a fabulous show, a wonderful chance to chat with some veteran kids' musicians and hopefully the start of a good friendship with two of the nicest and most talented performers in the industry.
Kids' Musician Quote of the Day:
Funny side note: notice that Keith is on the stage, and Ezra is standing on the ground.
Friday, October 22, 2010
Boo!
Halloween has always been one of my favorite times of year. I was the kind of kid who had his costume planned on Nov. 1st for the following year. As a music teacher, it means the start of a busy time learning first Halloween, then Thanksgiving, and finally Christmas music back to back to back. Even so, I enjoy it just the same.This year I've been thinking a lot about the joys of saying (shouting), "Boo!" Kids can't seem to get enough of it. From the smallest toddler to the coolest elementary school kid, startling an adult or catching a fright by shouting, "Boo!" is an experience that needs to be repeated again and again. Most of the songs I have been singing this month have some part where the kids get to do their best ghost imitation.
There is a big difference between the sense of surprise and excitement that comes with a healthy, "Boo," and the fear and panic that can come with more frightening images, sounds, movies and TV shows that come with this season. I fear that too often adults aren't sure where to draw the line. It's a tough task, and I am constantly surprised by what frightens certain children.
For me, as a two year old, sounds (like the jingling keys in the intro to E.T.) would get my heart racing and the tears flowing. For other students I have had, spooky imagery in songs that we sings might trigger anxiety. Costumes with masks are often a source of upset during preschool Halloween parties.
Often a child's response to a brush with the scary is a strange fascination. I recall a boy who would ritually draw swirling dark patterns, labeling them "Voldemort" (this was even before the Harry Potter movies). His imagination couldn't let this image go. It took this particular boy a while to move past his fear and start drawing robots and dinosaurs again.
As a lover of everything Halloween, I really enjoy sharing this excitement with my students. I always endeavor to keep my Halloween activities and songs spooky but not scary. It can be a fine line, but it's important for a child's sense of safety.
Kid Quote of the Day: I have come across some funny and clever Sesame Street clips on YouTube lately. Parodies of Madmen and Old Spice commercials show that Sesame Street hasn't lost it's edge in the 40+ years it's been on the air. Here's my recent favorite:
~Willow Smith a la Sesame Street (age: 9)
Friday, October 8, 2010
The Softer Side of Kids' Music
On the eve of John Lennon's B-day, it seems fitting to review some music by an artist who kicks off his new CD with the Beatles' classic Hello, Goodbye (though I guess Paul is officially responsible for writing this one).
David Tobocman's latest release is entitled Lemonade School and features 10 originals plus the previously mentioned Beatles tune and the Mr. Rogers classic, It's You I Like. It's a bold move to open your album with a cover song from (arguably) the greatest music group of the 20th century. I think Tobocman does an admirable job. I enjoy the ukulele foundation, accordion and slide guitar accompaniment. I do miss the "Hey la, Hey-ay lo-a" coda though. As for the Mr. Rogers song, it has a nice James Taylor-esque vibe which is both pleasant and soothing. I still prefer Mr. Rogers simple, piano-only delivery. Sadly, he's been pulled off the air, but watching his interaction with Jeff Erlanger on the original show still brings a tear to my eye.
As a friend of Mrs. Rogers, who is the loveliest and most supportive woman, I am sure that she would be tickled to hear Fred's music re-imagined this way.
Now, on to the rest of the album... I called this post "The Softer Side of Kids' Music" because Lemonade School has a smooth, sometimes jazzy sound that to me is reminiscent of the soft-rock radio classics I remember from the 70's and 80's. With a backbone of skillfully played piano, this album features dense textures and great harmonies. Even songs with titles like "Mom is a Rockstar" or "Soul of a Rebel" have more of a Steely Dan and Doobie Brothers feel than AC/DC or Pixies vibe (like the Not-Its! or the Jimmies).
Tobocman's voice is crisp and he has an enunciated delivery that makes each word clear. With a hint of country twang, there's an honesty in his voice that I respond to. Fans of the, younger, Livingston Taylor will feel right at home. My favorites on the album are "No Time Like The Present" which is an easy swing standard of sorts, and Yeasayers which features Tobocman's flair for old-school rap.
The Mike Brady Wrap-up: By now I feel like I can safely say that I see certain trends in kids' music. There are many groups out there trying to give a bit of a harder edge to the Barney's and Wiggles of the world. I think that Lemonade School bucks this trend, and creates some memorable tunes in the process. As a multi-instrumentalist and self-producer, I have great respect for what David Tobocman presents. The arrangements are dense and pleasing, the songs are tuneful and sweet. If we in the kids' music market are trying to entice the parents as much as the kids, I think Tobocman has a good angle. I hear strains of a lot of the music I enjoyed growing up in the age of "Yacht Rock." It's a testament to this industry that artists are producing music that fits into so many genres. Parents, take your pick!
Kid Quote of the Day: As we finished our class, and the children were filing out of the choir room, one small girl lingered behind. "Mr. Nick, are your going to stay here?" she asked. "Yes, I have another class coming in just a minute or so," I replied. "Are you going to sleep here?" she said with curiosity. "No, I sleep at my home," I answered. "Oh, I have a home too!" ~Sara (age: 3)
(guess that's why kids are so shocked to see me at the grocery store... In their mind I don't exist outside of the classroom).
David Tobocman's latest release is entitled Lemonade School and features 10 originals plus the previously mentioned Beatles tune and the Mr. Rogers classic, It's You I Like. It's a bold move to open your album with a cover song from (arguably) the greatest music group of the 20th century. I think Tobocman does an admirable job. I enjoy the ukulele foundation, accordion and slide guitar accompaniment. I do miss the "Hey la, Hey-ay lo-a" coda though. As for the Mr. Rogers song, it has a nice James Taylor-esque vibe which is both pleasant and soothing. I still prefer Mr. Rogers simple, piano-only delivery. Sadly, he's been pulled off the air, but watching his interaction with Jeff Erlanger on the original show still brings a tear to my eye.As a friend of Mrs. Rogers, who is the loveliest and most supportive woman, I am sure that she would be tickled to hear Fred's music re-imagined this way.
Now, on to the rest of the album... I called this post "The Softer Side of Kids' Music" because Lemonade School has a smooth, sometimes jazzy sound that to me is reminiscent of the soft-rock radio classics I remember from the 70's and 80's. With a backbone of skillfully played piano, this album features dense textures and great harmonies. Even songs with titles like "Mom is a Rockstar" or "Soul of a Rebel" have more of a Steely Dan and Doobie Brothers feel than AC/DC or Pixies vibe (like the Not-Its! or the Jimmies).
Tobocman's voice is crisp and he has an enunciated delivery that makes each word clear. With a hint of country twang, there's an honesty in his voice that I respond to. Fans of the, younger, Livingston Taylor will feel right at home. My favorites on the album are "No Time Like The Present" which is an easy swing standard of sorts, and Yeasayers which features Tobocman's flair for old-school rap.
The Mike Brady Wrap-up: By now I feel like I can safely say that I see certain trends in kids' music. There are many groups out there trying to give a bit of a harder edge to the Barney's and Wiggles of the world. I think that Lemonade School bucks this trend, and creates some memorable tunes in the process. As a multi-instrumentalist and self-producer, I have great respect for what David Tobocman presents. The arrangements are dense and pleasing, the songs are tuneful and sweet. If we in the kids' music market are trying to entice the parents as much as the kids, I think Tobocman has a good angle. I hear strains of a lot of the music I enjoyed growing up in the age of "Yacht Rock." It's a testament to this industry that artists are producing music that fits into so many genres. Parents, take your pick!Kid Quote of the Day: As we finished our class, and the children were filing out of the choir room, one small girl lingered behind. "Mr. Nick, are your going to stay here?" she asked. "Yes, I have another class coming in just a minute or so," I replied. "Are you going to sleep here?" she said with curiosity. "No, I sleep at my home," I answered. "Oh, I have a home too!" ~Sara (age: 3)
(guess that's why kids are so shocked to see me at the grocery store... In their mind I don't exist outside of the classroom).
Friday, October 1, 2010
Parrot or Pirate
Yesterday things got a little deep. It's Friday, time for some fun.
Thanks Flannery Bros!
Kid Quote of the Day: "What is your name?" I sang, pausing to point to the next child in the class. "I can't really talk right now, my voice doesn't work." ~Miguela (age: 4)
Thanks Flannery Bros!
Kid Quote of the Day: "What is your name?" I sang, pausing to point to the next child in the class. "I can't really talk right now, my voice doesn't work." ~Miguela (age: 4)
Thursday, September 30, 2010
Local Hero
The greatest myth in the kids' music world is the worn-out adage... "Finally, a kids' musicians that makes music that parents enjoy too!" This was my mission ten years ago when I started bringing my guitar into my first classroom. I thought I was special, and I thought that what I was creating was rare. A decade later, and two years of reviewing fabulous music in almost every genre imaginable, I realized that the pond I was swimming in may be small, but there are hundreds of little fish just like me making an impact on families with their music.
I guess what fooled me into thinking that I had stumbled upon something unique is the responses from parents I have received from the moment I release my first album in 2002. "I can't tell you how happy I am to have your CD. I am sick of listening to Barney (the Wiggles, Elmo, you name the Disney/PBS sensation)." "I listen to your music in the car when the kids aren't with me!" "My son slept with your CD cover on his pillow last night."
When I started out, I was as ignorant of the many, many people making fabulous kids' music around the country as the families at my school. Over the past decade there have been a great deal of advances in promoting, distributing, and learning about "Kindie" artists. Shows like, Jack's Big Music Show or Yo Gaba Gaba have shed a spotlight on some up and comers. Mainstream artists like Jack Johnson, Bare Naked Ladies, Lisa Leob and They Might Be Giants have made "slumming it" in the kids' scene cool. Facebook, MySpace, YouTube, iTunes and Amazon have helped my music reach the UK, Australia and Japan. Still, each week I will inevitably hear from parents that are shocked to hear a song like "Punk Rock Vowels" and even more shocked when they hear their kids singing every word.
The sad news for the independent kids' musician is that we are competing with the likes of Disney and Nickelodeon. Their model for kids' music skips from toddlers to "High School Musical" with no stops inbetween. Shows like "Fresh Beats" and "The Imagination Movers" that have a bit more substance than "The Wiggles" still present "bands" where instruments are more like props and the sounds that accompany these groups are largely synthesized. Even "Sesame Street" (the originators of kids' music that adults enjoy) is being eclipsed by "Elmo's World" where actual sets are replaced by virtual backgrounds and digital music.
This fall has ushered in a new phase for In The Nick of Time. After a VERY slow summer, I am finding myself booked solid with new calls coming in each week. I am catching glimpses of what a successful career in this industry could look like. Yet, I still get discouraged now and then knowing that great music that I have reviewed here at Singing In The Bathtub is still being outsold a thousandfold by what I consider to be lousy mainstream kids' music. When close friends will spend $15 on a Wiggles DVD when many of the albums or DVD's reviewed here are better and cost less!
Whenever I have those moments of self doubt, I will inevitably have an experience when a parent will stop me in the parking lot of school and say, "My son/daughter comes home every day that she/he has music and talks about Mr. Nick. You are her/his favorite part of school." Would I love to have a TV show? Would I love to see my name in lights? You're darn tootin'! Would I trade that for those one-on-one moments where I inspire and invigorate young children? I'm not sure. For now I'm happy to be the local hero!
Kid Quote of the Day: As we sang the "Rainbow Song," I stopped to ask one young boy which color and object he would like to sing about in our song. "An Orange," he replied. "And what color will your orange be?" I asked. "Green!" I guess every orange starts out green! ~Quinn (age: 4)
I guess what fooled me into thinking that I had stumbled upon something unique is the responses from parents I have received from the moment I release my first album in 2002. "I can't tell you how happy I am to have your CD. I am sick of listening to Barney (the Wiggles, Elmo, you name the Disney/PBS sensation)." "I listen to your music in the car when the kids aren't with me!" "My son slept with your CD cover on his pillow last night."
When I started out, I was as ignorant of the many, many people making fabulous kids' music around the country as the families at my school. Over the past decade there have been a great deal of advances in promoting, distributing, and learning about "Kindie" artists. Shows like, Jack's Big Music Show or Yo Gaba Gaba have shed a spotlight on some up and comers. Mainstream artists like Jack Johnson, Bare Naked Ladies, Lisa Leob and They Might Be Giants have made "slumming it" in the kids' scene cool. Facebook, MySpace, YouTube, iTunes and Amazon have helped my music reach the UK, Australia and Japan. Still, each week I will inevitably hear from parents that are shocked to hear a song like "Punk Rock Vowels" and even more shocked when they hear their kids singing every word.
The sad news for the independent kids' musician is that we are competing with the likes of Disney and Nickelodeon. Their model for kids' music skips from toddlers to "High School Musical" with no stops inbetween. Shows like "Fresh Beats" and "The Imagination Movers" that have a bit more substance than "The Wiggles" still present "bands" where instruments are more like props and the sounds that accompany these groups are largely synthesized. Even "Sesame Street" (the originators of kids' music that adults enjoy) is being eclipsed by "Elmo's World" where actual sets are replaced by virtual backgrounds and digital music.
This fall has ushered in a new phase for In The Nick of Time. After a VERY slow summer, I am finding myself booked solid with new calls coming in each week. I am catching glimpses of what a successful career in this industry could look like. Yet, I still get discouraged now and then knowing that great music that I have reviewed here at Singing In The Bathtub is still being outsold a thousandfold by what I consider to be lousy mainstream kids' music. When close friends will spend $15 on a Wiggles DVD when many of the albums or DVD's reviewed here are better and cost less!
Whenever I have those moments of self doubt, I will inevitably have an experience when a parent will stop me in the parking lot of school and say, "My son/daughter comes home every day that she/he has music and talks about Mr. Nick. You are her/his favorite part of school." Would I love to have a TV show? Would I love to see my name in lights? You're darn tootin'! Would I trade that for those one-on-one moments where I inspire and invigorate young children? I'm not sure. For now I'm happy to be the local hero!
Kid Quote of the Day: As we sang the "Rainbow Song," I stopped to ask one young boy which color and object he would like to sing about in our song. "An Orange," he replied. "And what color will your orange be?" I asked. "Green!" I guess every orange starts out green! ~Quinn (age: 4)
Friday, September 24, 2010
Time Out To Rock
Today's album review is for The Not-Its' latest CD Time Out To Rock. This is a group that I have heard of but not heard until today. I am glad that in the kids' music industry physical CD's still sell pretty well. This gives me the chance to enjoy the albums' liner art. I really like the visual style of Time Out To Rock there is a sixties pop art feel that illustrates the various songs held within.The music as well evokes an earlier time, though not sixties pop, but 70's and 80's punk and what would later be called alternative. There's a stripped-down, bare-bones approach to the mixes with a healthy dose of fuzzy guitars. I hear hints of early Talking Heads, Patty Smith, maybe even a bit of the B-52's and R.E.M. There are a couple of more down tempo numbers on Time Out To To Rock (towards the end), tunes like Only Kids Can See and Hollow tree have some acoustic sweetness. Lead singer Sarah Shannon has a clear unadorned delivery. Bordering on wavery at times, the simple, honest delivery matches the stripped down production. You can listen to this album and imagine exactly what the Not Its sound like live (not that I have had the pleasure... yet).
The Mike Brady Wrap-up:The Not Its were a new find for me, but the sound is nostalgic for me. It's not surprising to read that the Not Its have roots in Seattle's famous sub-pop label. I think fans of the "Seattle Sound" will feel the same pang for a time when music was simpler, maybe a bit rough around the edges but no auto-tune necessary. The title on this one says it all. If you are looking for a little "Time Out To Rock," look no further!
My Oprah Moment:
I am pleased to announce the winner today of Singing in the Bathtub's first CD giveaway. The lesson I learned was that I made this whole business needlessly complicated. Long story short, I numbered the entries as they came in, and using a random number generator Jenni was chosen! I will contact the winner directly... but wait there is more!
Many of the submissions I received asked about MY music and not Brian Vogan who so kindly offered his CD for this contest. So here is my Oprah moment. I am going to give a free copy of People, Places and Things to everyone who entered! "You get a CD, and you get a CD, and you get a CD!" It's not a car, or a ride to Australia on John Travolta's jet, but I hope all my loyal readers enjoy! I'll follow up with all the contestants to find shipping addresses etc. Thanks for entering!
Kid Quote of the Day: "How'd you do that?" Garrett asked as I started putting stamps on my students' hands. "Well, I open my ink pad, I put ink on my stamp, and I stamp it down, voila!" I replied as I put a red apple stamp on his hand. "How'd you do that?" ~Garrett (age: 3)
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